Posted on the Monday as agreed and the proof shots came through the same afternoon. The owner flagged a colour issue in our artwork before it went to print, which saved us a reprint.
The last three spots before the feature, across all four screens of a cinema that has run continuously since 1910. The lights are down and nobody is leaving — this is the most captive audience the format has.
Figures are supplied by the owner and reviewed at approval. Independent measurement is shown separately where the site is audited.
The owner's read on which industries this space sells hardest for — tap one to see every space suited to that sector.
Derived from the dimensions this owner listed. They have not published a spec sheet yet, so treat it as the shape rather than the print house's own rules.
This space takes moving media. A still works, but the format is bought as video far more often than not — and the mockup plays yours on the face if you drop an MP4 into it. Projection masking and broadcast overscan crop the frame edge. Titles live inside the guide.
Try artwork against this specPosted on the Monday as agreed and the proof shots came through the same afternoon. The owner flagged a colour issue in our artwork before it went to print, which saved us a reprint.
Third campaign on this site. Condition report every week, no surprises. Booking through the platform meant we did not have to chase an invoice.
Site performs exactly as the audience numbers suggest. One week ran with partial illumination after a fault and we were credited without having to ask.
Other surfaces reaching the same audience.
Posted on the Monday as agreed and the proof shots came through the same afternoon. The owner flagged a colour issue in our artwork before it went to print, which saved us a reprint.
Shot by the advertiser during their own campaign and moderated with the review it belongs to. Owner photography is marketing; this is what the space looked like with somebody's money on it.